| What are your
main influences and how did you start making music ?
Lali Puna was founded as a fourtrack-soloproject
in 1998 and soon developed into a full band. Lali Puna
has got influences from many directions reaching from
Young Marble Giants, My Bloody Valentine, Laurie Anderson,
Stereolab to Kraftwerk, Mouse On Mars and Aphex Twin
to Team Dresch, Le Tigre and then to Songwriters like
Smog and Bonnie Prince Billie.
How did you meet ?
We come from the same circle of friends.
Could you give us the meaning of
"lali puna"?
Lali Puna means "Lali from Puna" - Lali was
the name everybody called me when I was a child and Puna
refers to the city where i was born: Pusan in Corea.
How did you work on the last
album ?
With "faking the books" we definetly wanted
to do a musical step. one thing was that we decided
to include more guitars. the songs are more uptempo,
the music is more direct than on the first two records.
that comes also because we developed as a liveband,
we played a lot live for the last record and we wanted
to include that on the album. it was quite a long way,
the recordings took three times as long as i thought,
but we are very satisfied now.
Your last album seems to be more pop and even Rock from
previous works.
How did you work on the last
album ? do you have any comments ? Are you going to
include a guitarist in the line up ?
We played some shows with a guest-guitarplayer. His
name is Max Punktezahl and he is also playing on the
record. But he can't play the whole tour with us. So
normally the guitars come from the computer, which I
think is quite funny - we're still more an electronic
band than a rockband.
Where are you seeking for inspiration
?
Could be pretty much everything: Books, movies and other
music of course.
Is there any reasons why the
last Lp seems to be less « shy » more direct
than the 2 others ?
I think that comes mainly from the voice, but also the
songwriting itself has changed. I needed a long time
to have the selfconfidence to sing. On the other records
the voice is really used as an instrument, that changed.
Morr Music has a very strong identity from a "designing
image"point of view via the work of Jan ; are you
participating actively on the artwork choice linked
to the band (records covers, photos ..) Yes, Jan does
all the MorrMusic covers but every artist has the right
to make suggestions. It was a long way to find the cover
from Faking the books - and now it seems so easy. The
photos aren't done by Jan. We made them with two photographers
we're friends with. We always think a long time on things
like that.
What do
you like with Morr music label ?
We're friends with Thomas for a long time. So
he is the first reason we like the label. But
he also has got a good musical taste and he just
works with people he likes. He does the label
because he likes the music - not because he wants
to hit the big thing. I like that.
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What are your relationships
with the other artists of the label ? (Ms John Soda,
B. Fleishman..) ?
We're friends with the most artists on the label. Some
through the label, some like MS John Soda, we know for
a long time. Micha from MS John Soda is the brother
of Markus for example. Steffi and me were already in
a band together before.
Do you think you are belonging
to a particular german electro scene and how do you
explain this hype around it ?
I guess we belong at first to the scene of bands including
Notwist, Console and MS John Soda - it's circle of friends.
And then of course we feel related to bands like Tarwater,
To Rococo Rot, Donna Regina, Wunder. There are of course
other scenes like Kompakt, A-Musik, the Berlin-Electroclash-thing
- and if you take alltogether it really looks like a
german-elektro-hype, but from the inside it doesn't
feel like it.
What are the last bands who
impressed you on stage ?
Wilco and LCD Soundsystem
What are bands or artists appearing
in this year Benicassim line up you would like to meet
and why ?
I want to see: Kraftwerk of course. The Pet Shop Boys.
LCD Soundsystem, Belle & Sebastian (which I have
already seen the last time they played there), Morissey,
Kings of Leon, Wire. I would like to meet the guy from
LCD Soundsystem and tell him that his concert at All
Tomorrows Parties was one of the best i have ever seen.
But i don't know if I want to meet anybody of the big
stars. It would make sense to interview them (I worked
long time as a journalist), but just like that - what
other thing than small talk would it end in?
Are you preparing something
special for the Benicassim gig ? What will be the line
up ?
It will be the same line-up as always: Four people:
drums, bass, keyboards, electronics and vocals.
Do you like playing in Festival
? If yes why ?
We got used to it. And as we try to just play the nice
festivals like Benicassim, La Route du Rock, Pukkelpop
(although not this year) we really like it. That are
the festivals which are well organized, have a well
chosen line up. They are good to play because they have
an audience which is interested and it normally sounds
good. But there are a lot of festivals where it just
seems like a supermarket of bands and where you are
also treated like that.
Have you ever played in Benicassim
?
No, but I was there with The Notwist some years ago.
Where was your last holidays
?
I almost can't remember. Must be a long time ago...
But we had some free days when we played in Lisbon this
year - that was like holidays, too short ones though. |